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Sony MZ-N910 any good for mic recording?
This box will not only amplify mic signal to line-in levels but will provide the operating voltage for electret mics. The MS-907 mic has its own battery so that it doesn't use plug-in-power (even with the battery removed) and it is of low enough sensitivity that it can drive the mic-in of most devices without

Amps influence on sound
Then I added the Bass mic signal to the "FOK" and the DI signal... same deal, pushed some buttons, turned some knobs... eventually... bingo... the tone for of what's occurring) that the IBP is altering the relationship between the high and low frequencies... allowing for a different way to line up the sounds.

High Z/low Z conversion -- line level or not
Hi impedance is the mic (mic level is hi impedance so as to not lose much signal over long stretches at a time). Low impedance is the line. Z is the term for "impedance". A little knowledge is a dangerous thing..... Sean knows the words tranformer and impedance, and the letter Z. Unfortunately, he uses them in an

Low-cut filter circuit?
Matthias Weiter ch12k...@rz.uni-sb.de comp sys ibm pc soundcard tech is there a way to increase the recording-level of my microphone without pre-amplifing the mic signal before it goes into the soundcard ? I've tried lots of mics (also with a higher impedanz) and the new driver for my AWE64Value under WinNT4.0 from

FAQ: rec.audio.* Amplifiers 7/07 (part 4 of 13)
The problem with the lower impedance load is that vintage hi-Z mic elements may lose valuable signal/tone to ground in audible amounts if the impedance load isn't high You can turn the bass knob up to compensate somewhat for the lows/low mids lost to the impedance mismatch and some players prefer that sound.

recording telephone interviews Line In vs Mic In
In this case, you can use aY cable to go to two channels of a mixer (though most mixers will not have adjustable low cut, so you may have trouble with the low end of the mic signal). If your mic is connected directly to the jack, you have to provide it power remotely. The phantom power provided by mic channels on a

-10 dBV -> +4 dBu Transformer Conversion Question
Best would be something based on a mic, reasonably good soundcard and PC. ** If you use a dynamic mic and low noise pre-amp with full audio bandwidth the residual noise will be about 16 -20 dBA. If the sound you want to measure has a narrow bandwidth then filtering the mic signal to match will help get you down to

Monitoring Dry Tracks With Reverb Behringer 802A?
BBN documented a level of 100 db re 2 X 10^-5 Newton per square meter at the microphone as the threshold for activation of the limiting circuit. and the absence of interaction between the continuous interference with a silent station whose radio signal belonged to a pair that produced the heterodyne tone.

Low mic signal?
Their low cost should be greeted with grateful thanks by those of us seeking quality audio gear - not as a reason to dismiss them in a simple cheap=poor quality You have amplified the mic signal (by similar amounts) three times. Ignoring signal distortion (pretty safe as the distortion figures of even a 5532

LR Baggs para acoustic DI insert loop
I've been told a good preamp will allow me to get the mic signal up without adding static. I would be happy with whatever recording equipment they had in Bard wrote: I need to get a good mic preamp, but know nothing about them. I've noticed that the sure-fire-low-cost mic everyone points to is the Shure 57.

Budget Recording: Analog or Digital?
When you use the transformer is the signal hotter than w/out it? It should be, because if you're going from LoZ (mixer output) to HiZ (gtr amp in) the same sort of voltage boost that occurs when you use a xmfmr w/ a mic. Maybe you just like the way the hotter sginal drives the amp.

mic input
Mike no_mail@no_spam.com alt audio pro live-sound I'm interested to know why George thinks that a speaker signal will cause a mic signal to become unusable. then because it is a low quality job and convience takes precedence over proper engineering As I mentioned above the original poster's intention was to run

Preamp Question
There are no seats in the low part near the stage, and the upper part is a bar with widely scattered tables and folding chairs. This is like a low-rent warehouse venue for new acts. On the stage the red-haired woman from before starts singing. A man in the band moves to show her to put the microphone closer to her

Low-cut filter circuit?
With some adapters you can hook up an XLR output equipped mic to a soundcard but the impedence is wrong. One solution is to use a XLR to 1/4" transformer coupled with a 1/4" to 1/8" adapter. But you still have the problem of the mic signal being very low. As you said you can record the amp at very loud volume

New Larrivee C-09 LRBaggs Dual Source combination @ first gig
George Gleason gpglea...@worldnet.att.net alt audio pro live-sound what ever you say, glad your happy with it Caution to anyone else, don't do it George I'm interested to know why George thinks that a speaker signal will cause a mic signal to become unusable. Can someone shed a little light on this theory?

basic Pc Recording
If not, can anyone recommend a cheap but effective (and low-noise) unit for mic signal processing? To do it properly you don't do "signal processing" directly from a mic, you run the mic signal through a preamp (like the ones built-in to your Porta 02), and then through the effects unit, then into the "line in" of

De-essing
Unbalance lines can be low impedence too, but are generally on the higher side (1K to 50K Ohms). If yes, is this just an industry-standard or something? Semi Does the impedance also affect the hum induced onto a signal? Does a line level signal or a mic signal affects the impedance? What will happen if I insert a

Tighter Low End in Room?
Of course, the soundman COULD reduce the need for working the mic by compressing the mic signal. However, we "joe blow open mic hosts" are usually too lazy and/or cheap to bother with that. Besides that, working the mic gives more control to the singer. Gary (I resemble that joe blow low blow) Hall "Lumpy"

OT - Radio Station heard over mic input on Church PA System
Both high and low-end headphones are fold forcompact storage after come equipped with a carrying case and alifetime warranty. The actualelectronics to take the sound from the microphone behind the and add it back into the audio signal is done ithe planehandrest. These systems oftehave a special chael allocated

High Z/low Z conversion -- line level or not
If you want lots of distortion, just overload the amplifier input with a very strong microphone signal. This will allow great sounding distortion while the amplifier output level can be low, or relatively quiet. My favourite is still my 1965 Fender Deluxe Reverb (20 watts). Every other harp and guitar player wants